I liked Year of the Flood and loved Oryx and Crake. MaddAddam is the final, and best, offering in this trilogy.
A man-made plague has swept the earth, but a small group survives, along with the green-eyed Crakers – a gentle species bio-engineered to replace humans. Meanwhile, giant Pigoons and malevolent Painballers threaten to attack.
“Told with wit, dizzying imagination, and dark humor, Booker Prize-winning Margaret Atwood’s unpredictable, chilling and hilarious MaddAddam takes us further into a challenging dystopian world and holds up a skewed mirror to our own possible future.”
“She is about to add, “I have scars, inside me,” but she stops herself. What is a scar, Oh Toby? That would be the next question. Then she’d have to explain what a scar is. A scar is like writing on your body. It tells about something that once happened to you, such as a cut on your skin where blood came out.”
“He would have died soon, but more painfully. Anyway, it was Urban Bloodshed Limitation. First rule: limit bloodshed by making sure that none of your own gets spilled.”
“Too friendly, too eager to be on message, man is obsolete, dooming ourselves to extinction, restore the balance of nature and babble babble, he overdid it so much that he sounded preposterous, and in an outfit like Bearlift, with its full quota of preposterous green-hued furfuckers, that took some effort.”
“The best way of being kind to bears is not to be very close to them.”
“The possibility of injury or death was a strong attraction: as the online world became more and more pre-edited and slicked up, and as even its so-called reality sites raised questions about authenticity in the minds of the viewers, the rough, unpolished physical world was taking on a mystic allure.”
“what is ‘belief’ but a willingness to suspend the negatives?”